The Argentinian Leandro Erlich, Galleria Continua’s artist, internationally known, began his artistic career at a very young age; he began exhibiting at 18, receiving the first of many other awards at the age of 19 from the Fondo Nacional de las Artes of Buenos Aires.
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A great public art project that can take up and update the PWPA model (Public Works of Art Project) established by the President of the United States Franklin D. Roosevelt in the thirties. This is the perspective proposed by Hans-Ulrich Obrist – Swiss curator and artistic co-director of the prestigious Serpentine Gallery in London –
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The dialogue that we propose with the American artist David Bernstein is aimed at bringing out the fundamental knots of his work, through a comparison on the operating methods and the research philosophy that has led him over the years to consolidate a relational work that involves handmade objects, people and spaces both public and
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I want to start my discussion with a brief introduction. As the first person invited to participate in the V-SPACE project, Made in Mind asked me to contribute with a critical text on the relationship between art and new technologies. My intention is not to dwell on the processes of “digitization” and on the “rush
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In this new addition of Streams, we decided to interview Giuseppe Stampone, an Italian artist, born in Cluses, France, in 1974. Stampone is based between Rome, New York and Brussels. His artistic production ranges from multimedia installations, videos and drawings made with Bic pen, a technique common to several of his projects. Stampone collaborates with various
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With the development of Sound Studies during the 1990s, the question has been raised of radical change in the way of conceiving, working and perceiving sound. A sensitive territory and field of research, sound will be the prism from which to establish any object to be studied. From the visible to the audible sphere, this
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This interview took the shape of a long-distance conversation between Utrecht and Rome. Pietro Ballero (Turin, 1992) told us about his work from his new home in the Netherlands where he decided to move a few months ago to further his artistic research at the HKU. From inside a typical, vertically developed Dutch apartment under
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In Gilbert Durand’s The Anthropological Structures of the Imaginary, the Imaginary, the Day and Night Worlds are fundamental in the construction of an individual reality. A reality that man needs to give a sense to the passing of time, which becomes waiting for an inevitable transience. A theoretical framework, the one analyzed, in which Coquelicot
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