She writes stories of people and "nonplaces" of art. In particular, she is interested in investigating the aesthetic experience as an anthropological fact, capable of expanding its physical and conceptual space, activating unexpected dialogues and escaping from the most traditional spaces. Writing acquires an autonomous dimension, becoming material for observation and reflection around possible (and not univocal) narratives of contemporaneity. Independent author and member of the editorial staff of FormeUniche.
In Gilbert Durand’s The Anthropological Structures of the Imaginary, the Imaginary, the Day and Night Worlds are fundamental in the construction of an individual reality. A reality that man needs to give a sense to the passing of time, which becomes waiting for an inevitable transience. A theoretical framework, the
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“The tiniest bud shows us that in fact there is no death.” (Walt Whitman). Nothing is more appropriate to introduce the research of Alice Mestriner (Treviso, 1994) and Ahad Moslemi (Teheran, 1983)
Mona Mohagheghi (Teheran, 1981) graduated in Mathematics and attended the Academy of
Stefano Comensoli (Milano, 1990) and Nicolò Colciago (Garbagnate Milanese, 1988) are two
Can matter tell stories? In the practice of French-Italian artist Lulù Nuti (Rome 1988), who studied at the Ecole Nationale Supérieure des Beaux Arts in Paris, and lives in Rome, material carries
Stefano Comensoli (Milano, 1990) and Nicolò Colciago (Garbagnate Milanese, 1988) are two contemporary explorers. Their field of action is the human landscape (industrial, city and natural). The remains of this experience are
“The tiniest bud shows us that in fact there is no death.” (Walt Whitman). Nothing is more appropriate to introduce the research of Alice Mestriner (Treviso, 1994) and Ahad Moslemi (Teheran, 1983)
Mona Mohagheghi (Teheran, 1981) graduated in Mathematics and attended the Academy of Florence where she studied Painting and New Expressive Languages. She recently returned to Italy after studying in London. Her practice
In Gilbert Durand’s The Anthropological Structures of the Imaginary, the Imaginary, the Day and Night Worlds are fundamental in the construction of an individual reality. A reality that man needs to give
